Artist Statment

In my recent work I have been examining the diversity of natural biological communities, and the processes of growth, decay, and succession. I am especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The structural forms are made of fine gauge brass wire, manipulated in a manner that implies movement, or growth. While the structures incorporate intricate geometric patterns, the overall physicality of each piece reflects the organic imperfections found in nature. I cover most sculptures in a soft Japanese Gampi paper, forming a tactile surface that both filters and deflects light, giving the work an ethereal presence.  This nearly translucent material draws the viewer to the interior spaces, while evoking a fragility that contradicts the earth-bound metal work. Certain pieces are only partially covered, visually exposing the insides of the structures, creating a sense of discovery as the viewer changes perspective. This intimate interaction reflects my larger studio practice, which is rooted in the act of discovery, and a sense of wonder.